105 neue E-Books („JSTOR E-Books in Art, Design and Photography“) als FID-Lizenz verfügbar

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Wir konnten – mit Unterstützung der DFG - unser Angebot an kunstwissenschaftlich relevanten E-Books, die als FID-Lizenz deutschlandweit für einen fachspezifischen Nutzerkreis bereitgestellt werden, um 105 englischsprachige Titel internationaler Verlage erweitern.
Sie können auf dieses Volltext-Angebot zugreifen, sofern Sie sich registriert haben und zum berechtigten Nutzerkreis gehören. Weitere Informationen dazu finden Sie auf unserer Service-Seite FID-Lizenzen.
Die e-Books wurden von der UB Heidelberg und der SLUB Dresden aus dem Angebot JSTOR Books ausgewählt und erworben.

Außerdem stehen als FID-Lizenzen diese Angebote& zur Verfügung:

  • The Index of Medieval Art (Princeton University) (ehemals Index of Christian Art)
  • 307 E-Books italienischer und spanischer Verlage (Torossa E-Books, Casalini)
  • Faenza. Bollettino del Museo Internazionale delle Ceramiche in Faenza; rivista bimestrale di studi storici e di tecnica dell'arte ceramica, 2011ff. (Torossa E-Journals, Casalini)

Liste der neuen Titel:

  • & Apollo and Vulcan: The Art Markets in Italy, 1400-1700 (Michigan State University Press, 2011)
  • Gilles Deleuze and the Ruin of Representation (University of California Press, 1999)
  • Artifacts and Allegiances: How Museums Put the Nation and the World on Display (University of California Press, 2015)
  • Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930 (University of California Press, 2003)
  • The Pilgrim Art: Cultures of Porcelain in World History (University of California Press, 2010)
  • Subtle Bodies: Representing Angels in Byzantium (University of California Press, 2001)
  • Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (University of California Press, 2013)
  • Mediating Netherlandish Art and Material Culture in Asia (Amsterdam University Press, 2014)
  • The German Werkbund: The Politics of Reform in the Applied Arts (Princeton University Press, 1978)
  • Kentucky by Design: The Decorative Arts and American Culture (University Press of Kentucky , 2015)
  • Marxism and the History of Art: From William Morris to the New Left (Pluto Books, 2006)
  • Hidden in the Shadow of the Master: The Model- Wives of Cézanne, Monet, and Rodin (Yale University Press, 2008)
  • Design And Truth (Yale University Press, 2010)
  • Mute Poetry, Speaking Pictures (Princeton University Press, 2013)
  • The Early Renaissance and Vernacular Culture (Harvard University Press, 2012)
  • Giotto and His Publics: Three Paradigms of Patronage (Harvard University Press, 2011)
  • Solar Dance: Van Gogh, Forgery, and the Eclipse of Certainty (Harvard University Press, 2012)
  • Cultural Exchange: Jews, Christians, and Art in the Medieval Marketplace (Princeton University Press, 2013)
  • Spirit of the Delta: The Art of Carolyn Norris (University Press of Mississippi, 2011)
  • What Art Is (Yale University Press, 2013)
  • Reading Abstract Expressionism: Context and Critique (Yale University Press, 2005)
  • Thomas Hovenden: His Life and Art (University of Pennsylvania Press, 2006)
  • Art at Auction in 17th Century Amsterdam (Amsterdam University Press, 2002)
  • In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias (Amsterdam University Press, 2006)
  • Exhibiting Cinema in Contemporary Art (Amsterdam University Press, 2013)
  • Why Are Artists Poor?: The Exceptional Economy of the Arts (Amsterdam University Press, 2002)
  • A Real Van Gogh: How the Art World Struggles with Truth (Amsterdam University Press, 2010)
  • The Learned Eye: Regarding Art, Theory, and the Artist's Reputation (Amsterdam University Press, 2005)
  • Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History (Amsterdam University Press, 2003)
  • Rembrandt, Reputation, and the Practice of Connoisseurship (Amsterdam University Press, 2004)
  • Art in Progress: A Philosophical Response to the End of the Avant-Garde (Amsterdam University Press, 2003)
  • Early Netherlandish Paintings: Rediscovery, Reception and Research (Amsterdam University Press, 2005)
  • The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (Amsterdam University Press, 2008)
  • How to Study Art Worlds: On the Societal Functioning of Aesthetic Values (Amsterdam University Press, 2009)
  • The Rise of the Cult of Rembrandt: Reinventing an Old Master in 19th-century France (Amsterdam University Press, 2003)
  • Nabokov and the Art of Painting (Amsterdam University Press, 2006)
  • Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries (Amsterdam University Press, 2008)
  • Inventing Falsehood, Making Truth: Vico and Neapolitan Painting: Vico and Neapolitan Painting (Princeton University Press, 2013)
  • Essay on Gardens: A Chapter in the French Picturesque (University of Pennsylvania Press, 2003)
  • A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum (University of Massachusetts Press, 2013)
  • The Medieval Salento: Art and Identity in Southern Italy (University of Pennsylvania Press, 2014)
  • The Serpent and the Lamb: Cranach, Luther, and the Making of the Reformation (Yale University Press, 2011)
  • The Artist and the Warrior: Military History through the Eyes of the Masters (Yale University Press, 2011)
  • Picturing Russia: Explorations in Visual Culture (Yale University Press, 2008)
  • Panaesthetics: On the Unity and Diversity of the Arts (Yale University Press, 2014)
  • Bernard Berenson: A Life in the Picture Trade (Yale University Press, 2013)
  • Fictions of Art History (Yale University Press, 2013)
  • PUR Facts: Conservation of Polyurethane Foam in Art and Design (Amsterdam University Press, 2011)
  • The Universal Art of Samuel van Hoogstraten (1627-1678): Painter, Writer, and Courtier (Amsterdam University Press, 2013)& & The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity (Amsterdam University Press, 2012)
  • Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (Amsterdam University Press, 2013)
  • Jorge Oteiza, hacedor de vacíos (Marcial Pons Ediciones de Historia, 2011)
  • Tiziano y las cortes del Renacimiento (Marcial Pons Ediciones de Historia, 2013)
  • Las imágenes de la discordia: Política artística en el tiempo de los Reyes Católicos (Marcial Pons Ediciones de Historia, 2007)
  • Text and Image in Modern European Culture (Purdue University Press, 2012)
  • The Memory Factory: The Forgotten Women Artists of Vienna 1900 (Purdue University Press, 2012)
  • Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity (Princeton University Press, 2011)
  • Picture Perfect: Life in the Age of the Photo Op (Princeton University Press, 2008)
  • Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity (Princeton University Press, 2006)
  • Stealing the Show: Seven Women Artists in Canadian Public Art (McGill-Queens University Press, 1994)
  • Seduced by Modernity: The Photography of Margaret Watkins (McGill-Queens University Press, 2007)
  • The Collected Letters of William Morris, Volume II, Part A: 1881-1884 (Princeton University Press, 1987)
  • The Theory of the Arts (Princeton University Press, 1982)
  • Crafting Identity: The Development of Professional Fine Craft in Canada (McGill-Queens University Press, 2005)
  • Renaissance Perspectives in Literature and the Visual Arts (Princeton University Press, 1987)
  • The Collected Letters of William Morris, Volume II, Part B: 1885-1888 (Princeton University Press, 1987)
  • Sphaerae Mundi: Early Globes at the Stewart Museum, Montreal (McGill-Queens University Press, 2000)
  • The Practice of Her Profession: Florence Carlyle, Canadian Painter in the Age of Impressionism (McGill-Queens University Press, 2009)
  • In Good Hands: The Women of the Canadian Handicrafts Guild (McGill-Queens University Press, 1999)
  • Suspended Conversations: The Afterlife of Memory in Photographic Albums (McGill-Queens University Press, 2001)
  • Reclaiming William Morris: Englishness, Sublimity, and the Rhetoric of Dissent (McGill-Queens University Press, 1996)
  • Jan van Noordt: Painter of History and Portraits in Amsterdam (McGill-Queens University Press, 2007)
  • Angel in the Sun: Turner's Vision of History (McGill-Queens University Press, 1999)
  • Arctic Artist: The Journal and Paintings of George Back, Midshipman with Franklin, 1819-1822 (McGill-Queens University Press, 1994)
  • A Russian Paints America: The Travels of Pavel P. Svin'in, 1811-1813 (McGill-Queens University Press, 2008)
  • The End of the American Avant Garde: American Social Experience Series (New York University Press, 1997)
  • Modern Theories of Art 2: From Impressionism to Kandinsky (New York University Press, 1998)
  • Modern Theories of Art 1: From Winckelmann to Baudelaire (New York University Press, 1990)
  • Made in Canada: Craft and Design in the Sixties (McGill-Queens University Press, 2005)
  • The Invention of a People: Heidegger and Deleuze on Art and the Political (Edinburgh University Press, 2015)
  • Bergson and the Art of Immanence: Painting, Photography, Film, Performance (Edinburgh University Press, 2013)
  • Singular Images, Failed Copies: William Henry Fox Talbot and the Early Photograph (University of Minnesota Press, 2015)
  • Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (University of Minnesota Press, 2014)
  • Architecture since 1400 (University of Minnesota Press, 2014)
  • Seeing Witness: Visuality and the Ethics of Testimony (University of Minnesota Press, 2009)
  • The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (University of Minnesota Press, 2011)
  • Engraving the Savage: The New World and Techniques of Civilization (University of Minnesota Press, 2008)
  • Drawing on Art: Duchamp and Company (University of Minnesota Press, 2010)
  • Too Beautiful to Picture: Zeuxis, Myth, and Mimesis (University of Minnesota Press, 2007)
  • Collecting Mexico: Museums, Monuments, and the Creation of National Identity (University of Minnesota Press, 2012)
  • Absolute Artist: The Historiography of a Concept (University of Minnesota Press, 1997)
  • Sheer Presence: The Veil in Manet’s Paris (University of Minnesota Press, 2006)
  • Cinema’s Alchemist: The Films of Péter Forgács (University of Minnesota Press, 2011)
  • Compelling Visuality: The Work of Art in and out of History (University of Minnesota Press, 2003)
  • The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America (University of Minnesota Press, 2007)
  • Installation and the Moving Image (Columbia University Press, 2015)
  • Under Suspicion: A Phenomenology of Media (Columbia University Press, 2012)
  • Portable Borders: Performance Art and Politics on the U.S. Frontera since 1984 (University of Texas Press, 2015)
  • The Fleeting Promise of Art: Adorno's Aesthetic Theory Revisited (Cornell University Press, 2013)
  • The Total Work of Art in European Modernism (Cornell University Press, 2011)
  • The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe (Boydell & Brewer Group Ltd, 2013)
  • Art, Faith and Place in East Anglia: From Prehistory to the Present (Boydell & Brewer Group Ltd, 2012)
  • Common Land in English Painting, 1700-1850 (Boydell & Brewer Group Ltd, 2012)
  • English Medieval Misericords: The Margins of Meaning (Boydell & Brewer Group Ltd, 2011)
  • The Green Bloc: Neo-avant-garde Art and Ecology under Socialism (Central European University Press, 2015)

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